Art on Exmoor since 1893

All work : Richard Pargeter [Biography]

Richard Pargeter

Richard Pargeter

I am lucky enough to be able to paint virtually every day in my local studio. I find that an early morning visit to the gym gets me going, both physically and mentally, so I try to start every day in this way. I like to reach my studio feeling positive and full of energy, and I’m sure this contributes to the fact that I always seem to do my best work in the morning! I generally tend to try and work a nine to five, as like everyone I have a finite amount of energy and I don’t want to produce substandard paintings through tiredness. As I said, I am at my most productive in the morning, and I think this is also partly due to the light that comes streaming in at that time of the day. I am quite organised and tend to concentrate on one piece at a time, although I do usually have some experimental work on the go concurrently, which often no-one sees but me! On a good day, the ideas just flow and I love the time spent in the studio and can’t wait to get back in there. Sometimes it is rather more like hard work, but either way, I still find looking at a finished composition an immensely rewarding experience.

Lakeside I

Oil on Paper

LakesideII

Oil on Paper

Sold, but please enquire about similar works

Beached

Oil on Board

Sold, but please enquire about similar works

Plein De L'ete

Mixed Media on Paper

Sold, but please enquire about similar works

Twins

Oil on Board

Sold, but please enquire about similar works

Yellow Sail

Oil on Board

Richard Pargeter

Richard Pargeter

I am lucky enough to be able to paint virtually every day in my local studio. I find that an early morning visit to the gym gets me going, both physically and mentally, so I try to start every day in this way. I like to reach my studio feeling positive and full of energy, and I’m sure this contributes to the fact that I always seem to do my best work in the morning! I generally tend to try and work a nine to five, as like everyone I have a finite amount of energy and I don’t want to produce substandard paintings through tiredness. As I said, I am at my most productive in the morning, and I think this is also partly due to the light that comes streaming in at that time of the day. I am quite organised and tend to concentrate on one piece at a time, although I do usually have some experimental work on the go concurrently, which often no-one sees but me! On a good day, the ideas just flow and I love the time spent in the studio and can’t wait to get back in there. Sometimes it is rather more like hard work, but either way, I still find looking at a finished composition an immensely rewarding experience.

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